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Tshedzom |
ཚེ་འཛོམས།
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05:01
Fox Whitney
FOX/TRAILS WIP showing (Vlada POV)
Work in Process showing of section from full evening length performance LOOK/OUT premiering March 2027 presented by Velocity Dance Center’s Made in Seattle program. This is Fox's brain cracked open. Dancer and videographer Vlada Kremenović shares her POV from inside a fever dream of 1969/2025. Research into the Stonewall Riots collides with a Solaris inspired time travel portal opening ritual...Fox imagines all trans people can escape persecution and get to a new world...or is it a new dimension? Or is Fox just having a breakdown? Or is it all just a dream? This excerpt in development was shown at Velocity's Seattle Festival of Dance + Improvisation at 12th Ave Arts in Seattle WA August 9, 2025. This project was supported in part by a grant from 4Culture, the Flight Deck Residency and Velocity. Featuring: Fox Whitney (director, choreogrpaher, script, sound + visual design), Will Courtney (producer), Vlada Kremnović (livefeed projection design, DoP, producer) , Hexe Fey (projection design), Gabrielle Civil, Kristine Manuel, Majesty Royale-Jackson, Shireen Nori, Sonam Tshedzom Tingkhye, Lío Sainz-Jones, Emily Batlan (SM), Leo Othón, Peach (musician), Hannah Krafcik (photog), Shann Thomas (photog) Original music by Fox Whitney + Light Aloud all rights reserved
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55:45
Skye Hughes
the body of pain in a post-antibiotic era
Performed in Seattle, WA, May 2024 Created and directed by Skye Hughes Featuring: Nabilah Ahmed, jt (Jess Bertubin), Miri Daniels, Kaitlin McCarthy, Kennedy Polovich, Sonam Tshedzom Tingkhye, Fox Whitney, Kristen Yeung Music performed by Amy Denio Lighting design by Tristan Roberson Produced by Skye Hughes and Jeffrey Azevedo Videography by Danny Boulet
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07:27
Moment's Notice - Improvisation
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04:30
Boston Early Music Festival
PREVIEW: BEMF Chamber Opera Series presents The Dragon of Wantley
Monty Python meets Handel in an all-new production from the GRAMMY-winning Boston Early Music Festival Chamber Opera Series! Go behind the scenes and into the rehearsal studio for our upcoming production of John Frederick Lampe's 1737 comic opera The Dragon of Wantley. Enjoy this hilarious farce when it comes to Boston on Thanksgiving weekend 2023—November 25 & 26 at NEC's Jordan Hall in Boston. The production then goes on tour to Miami on November 30 and Troy, New York on December 2. Learn more at https://bemf.org/concert-season/chamber-opera/ Video by Kathy Wittman | Ball Square Films
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28:24
Avery Gerhardt
Video 1 - 1134: A STUDY ON LOADBEARING (2020)
1134: A STUDY ON LOADBEARING, is Avery's reaction to learning about Ecofeminism and the events at Rana Plaza. On April 23, 2013, a group of factory workers rallied outside of their workplace, refusing to go inside after noticing a crack on the seventh floor. This eight-story high garment manufacturing building located just north of the Bangladeshi capital, Dhaka, was known as Rana Plaza. After receiving threats from employers that those who continued to protest would lose up to a month’s worth of pay, hundreds of factory workers succumbed out of desperation to provide for their families. The next day, on April 24, at 8:57am, the building, holding four factories, several shops, and thousands of workers, collapsed. The death toll is still unknown but remains to be approximately 1,134 people. This physical theatre duet, created on the basis of research by Maria Mies, Vandana Shiva, and Rushmita Alam, 1134: A STUDY ON LOADBEARING is a metaphor that resembles the Rana Plaza tragedy in a more mundane, much less catastrophic way. It is a story that focuses on the relationship between two sisters, Aarya and Mouna, and their experiences with obsessive compulsive disorder. Together they investigate the power of silence, their demand for care, the importance of critique, and the pressure of emotional and physical weight. Performed by Talia Stern and Sonam Tshedzom Tingkhye Music- Arvo Pärt, Pierre Schaeffer, Pierre Henry, Vladimir Martynov Dramaturgical insight- Dylan Contreras Rehearsal direction- Kevin Lau
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03:50
Aura Ruddell
Aura Ruddell - That Child [OFFICIAL]
Directed by Peter Trinh Dance by Tshedzom Tingkhye Music from SHIVA by Aura Ruddell Instagram: https://www.instagram.com/auraka.auraka iTunes: https://music.apple.com/us/artist/aura-ruddell/620786322 Spotify: https://open.spotify.com/artist/4354T9n8Aq52HOPf6vNxuh Special thanks to Creative Dance Center, Seattle WA Copyright © 2023 Aura Ruddell
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02:54
TJ Canon
Storytime Reel
Choreography by TJ Canon Premiered at Boston Conservatory at Berklee's Ex-Movere 2020
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00:37
Maya Soto and Nico Tower
Beautiful Carcass
Choreography: Maya Soto, Nico Tower, and Dancers - Music by Nico Tower - Alhadeff Studio at Cornish Playhouse
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08:24
Xaviera Vandermay
(Retro)grading Love on a Curve / Choreography by Xaviera Vandermay
Commissioned by and performed at Converge Dance Festival (May 2016) Musicians: Sarah Oakley and Josh Orion Dancers: Elizabeth Sugawara, Sarah Oakley, Eric Rapinchuk, Sonam Tshedzom Tingkhye Choreograph/Creative Direction: Xaviera Vandermay Filmed by Jazzy Photo Review from SeattleDances "The relationship between music and dance was given a fun twist in Xaviera Vandermay’s (Retro)Grading Love on a Curve. Dancer Sarah Oakley started out singing and playing guitar as one of the two musicians (joined by Josh Orion on percussion), playing a set for an “audience” of two dancers sitting on stage. She announced that they would be taking a short break, whereupon another dancer barged onto the stage with high kicks and fancy tricks. This prompted a dance battle between her and Oakley, punctuated with fragments of dialogue: “talk?!?” “can we?” Once the interloper was dispatched with, Oakley apologized to her “audience” for the interruption—“she can’t come in and interrupt my work night like that…totally inappropriate…I’m sorry you had to see that.” She returned to her set, and the audience couple moved into a lush duet of full-body movement seasoned by specific gestural detail, their sweetness a contrast to the previous battle. At the end, the interloper returned, sitting quietly and watching. It seemed like a tantalizing glimpse into a larger world—is there perhaps a full length work to come?" - Karena Birk
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